Browse Items (497 total)

Sandra Lahire
1984
Sandra Lahire's film uses a combination of live action and rostrum work to comminicate the experience of anorexia and to analyse the cultural causes of the condition.

Sandra Lahire
1986
This short, named after Sylvia Plath's last poem, is about the woman who is a daughter; icy, perfected and petrified for the patriarchy.

Sandra Lahire
1992
EERIE is a vertiginous lesbian kiss in a mountain cablecar.

Sandra Lahire
1991
LADY LAZARUS is a visually woven response to Sylvia Plath's own readings of her poetry.

Sandra Lahire
1995
This is the age of the Personal Computer the Private Catacomb for the switched-on elite. Its dark doorways are for the wandering homeless…true survivors…

Sandra Lahire
1987
Is the woman worker at the terminals an extension of the plutonium-decanning monitors, or is she a gem in the nuclear plant that grows into self-control.

Sandra Lahire
1989
SERPENT RIVER is the final part ofa trilogy (see Uranium Hex and Plutonium Blonde) of anti-nuclear films in which the filmmaker makes visible the invisible menace of radioactivity.

Sandra Lahire
1986
TERMINALS is a stream-of-consciousness collage, which asks us to look at and question the dangers of technological advances and nuclear power.

Sandra Lahire
1987
Using a kaledoscopic array of experimental techniques, this film explores uranium mining in Canada and its destructive effects on both the environment and the women working in the mines.

Sara Bowman
1991
The creativity and the rich cultural and artistic lives of women embroiderers inspire HIDDEN WORLDS.

Sarah Gibson & Suzanne Lambert
1978
A discussion about body images, sexuality, society, conditioning of what women should look like, the fashion industry's profits from women's insecurities and the pressures on women to conform.

Sarah Pucill
1995
The piece continues the artist's concern with what she calls 'the domestic scene' which she used to address issues of sexuality and the construction of the feminine identity.

Sarah Pucill
1999
CAST creates a claustrophobic and haunting space where people and things invae worlds in which they do not normally belong.

Sarah Pucill
1993
MILK AND GLASS is primarily concerned with exploring where woman is in relation to sexual desire.

Sarah Pucill
1996
In an expression of levels of balance and control, ritual and sound osciliate between a point of contact and an accompanying break.

Sarah Pucill
1998
A visual, surrealistic narrative of a woman travelling both literally and psychically through an interior space of several rooms.

Sarah Pucill
1991
Using domestic objects the film looks at woman's struggle to free her from an imposed role in a society that feeds her psychical reality.

Sarah Rose Bell
1992
MASQUERADE is an amusing animated film dealing with the effects of magazine images on women.

Sarah Turner
1996
A lyrical trawl through a fictional day in the life of a performance artist who doubles as a deck chair attendant.

Sarah Turner
1991
‘The film opens directly and freshly with a screen journey which is also a kinetic light sculpture holding its rotation steadily before our eyes. Many associations emerge as we hear the tale in relation to this image and its shifting background. . .…

Sarah Turner
1990
ONE AND THE OTHER TIME is an erotically charged experimental film exploring the dynamics between intimacy and violence.

Sarah Turner
1989
Featuring the Carpenters song 'Close To You', this is an ode to love and fantasy.

Sarah Turner
1994
A woman's voice recounts a subversive tale, interweaving suburban kitsch with childhood defiance.

Sayer Frey
1998
In this whimsical comedy - drama, Eileen (Tami Hinz) buries roadkill and spies on various residents of a small Minnesota town, jotting down her observations and occasionally employing a camera and a tape recorder, perhaps hoping to somehow dive into…

Second Sight
1993
MOVE OVER DARLING is an informative magazine style careers guide focusing on women in the media.

Serena Everill, Chris Brown
1987
In October 1986, nurses in Australia began a strike which was to last for 50 days. Despite intense indoctrination to be 'good girls', nurses walked out of hospitals, community health centres, intensive care units and labour wards.

Sheffield Film Co-op
1982
This video examines the type of paid work that married women - particularly those with childrenm without adequate sccess to training, in the low income bracket - find themselves doing.

Sheffield Film Co-op
1983
A documentary film that looks at the process of rediscovering women's history, using the 1915 Glasgow Rent Strike as a focal point. The Rent Strike was a protest against Glasgow's landlords who were exploting the war situation.

Sheffield Film Co-op
1984
In this documentary, women munitions workers recall the part they played during the Second World War; the types of work they did in factories and the conditions.

Siobhan Cleary
1997
An illuminating exposure and investigation into the participation of women in fascist parties, filmed across Europe.

Sistren Theatre Collective
1985
SWEET SUGAR RAGE shows the work of, and explores the methods used by the theatre collective Sistren to highlight the harsh conditions facing female workers on a Jamaican sugar estate.

Sokhna Dieng
1985
This incidence of POLOGAMY amongst educated women in Senegal is actually on the increase. More and more women are choosing to become a man's second or third wife

Sonali Fernando
1995
An imaginary biography of Audre Lorde - African-American, lesbian, feminist, professor, mother, visionary and 'warrior poet' - who died of breast cancer, metastasised to her liver in 1992.

Sophie Bissonette
1986
THE ELECTRONIC SWEATSHOP explores the automation of work in a time of recession: the loss of control over work, the fragmentation of tasks, the mental strain and high levels of stress that result in many health problems, the new forms of electronic…

Sophie Outram
1999
Moving weightless in the water.

Stacey Folies
1995
This wild spoof of TV magazine journalism takes a mock-serious look at a phenonmenon which is reportedly sweeping through the lesbian community.

Steel Bank Co-op
1986
This video looks at what has happened to the 'Women Against Pit Closures' movement since the end of the 1984-85 Miners' strike.

Stephane Jaggers
1994
After attempts at exchanging cooking recipes, an intense domestic altercation and an episode with a heavy breather, Isolde and Seahell, two young women of opposite personalities, the one blithe and fun-loving, the other morbid and depressive, roam…

Su Friederich
1994
The story of a love affair its demise told through one of the primary objects shared by the couple: an old beige station wagon with fake wooden panellings along the sides.

Su Friederich
1984
Su Friedrich's experimental documentary looks at both the mother/daughter relationship and the demands of national identity.

Su Friedrich
1981
This text of Gently Down The Stream is a succession of fourteen dreams taken from eight years of my journals.' (Su Friedrich)

Su Friedrich
1990
Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play.

Susan Lambert
1983
Set against the backdrop of modern-day Sydney, this heist-style thriller involves four politicalised women from varying backgrounds, who conspire to sabotage the research programme of a multi-national firm, Utero, which is engaged in reproductive…

Susan Marenco
1993
This documentary explores the notion of gender through the life and work of transexual lesbian playwright, Kate Bornstein. Poet Pat Califia, performance artist Justin Bond, author of '100 Years of Homosexuality' David Halprin and female-to-make…

Susan Stein
1979
In Susan Stein's early film, G, her interest is language and work and how the two are connected.

Susan Stein
1982
SHE SAID explores the theme of women and work, using the formal properties of film to reflect on the overlap between work and free time.

Susannah Lopez
1989
A poem by the Munirah Theatre Company, urging Black people living in Britian to treasure their history, gives this video its title.

Suse Bohse
1998
A journey through the mind of a lonely person, trapped within the space and leaving only by the power of memory.

Suse Bohse
1995
The film explores language, communication and fragile development of relationships.

Suse Bohse, Evelyn Ficarra
1994
Shot in 16mm but origonally conceived as a three screen piece of video this film is a delicious and curious exploration of familiar objects and the sounds they make.
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