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              <text>Lucy Phenix </text>
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                <text>You Got to Move</text>
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              <text>Marion Reichert</text>
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                <text>A poem made from cut-ups of American women's magazines; a soundtrack by the legendary Wink Hackman Disco All Stars; shots of Chicago reminiscent of Warhol's silk screen prints; a computerisation in Adobe Photoshop of Stars and Stripes and Duane Hanson's fake "tourist", add up to an unlikely celebration of American style.</text>
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                <text>Working with footage of wrestlers and eager audiences - by the ringside and in front of their TV sets - the film examines peoples responses to images of violence as entertainment.</text>
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                <text>An erotic, witty and disturbing film. An intriguing mix of fact and fiction.</text>
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                <text>1985</text>
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                <text>Contrary to the usual portrayal of Black and 'Third World' women in media, WORDS IN ACTION shows women as a powerful and articulate force in world politics.</text>
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              <text>Esther Ronay, Mary Kelly, Mary Crapps, Humphrey Trevelyan, Margaret Dickinson, Brigid Seagrave, Susan Shapiro</text>
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                <text>WOMEN OF THE RHONDDA turns much needed attention to the role played by women in the gruelling Welsh Miners' Strikes of the 20s and 30s</text>
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                <text>In this documentary, women munitions workers recall the part they played during the Second World War; the types of work they did in factories and the conditions.</text>
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              <text>Bruna Fionda</text>
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                <text>WOMEN IN VIEW is an infortmative documentary about a group of women artists.</text>
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              <text>Mai Masri, Jean Chamoun</text>
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                <text>This superbly shot film is a moving docu-drama which allowed the women of South Lebanon to spek for themselves, using archive footage, interviews and the dramatic reconstruction of the experience of Khadijeh, a Lebanese woman. </text>
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              <text>Meri Weingarten</text>
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              <text>Miriam Ryle </text>
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              <text>Jennie Russell</text>
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                <text>VISIONS is a hopeful documentary centered around four teenage girls, their expectations in relations to work, the sort of power and control they feel they have over their futures and how they connect their dreams with real-life expectations.</text>
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        <element elementId="52">
          <name>Artist</name>
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            <elementText elementTextId="2832">
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            <name>Title</name>
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                <text>A celebration and a record of some of the many flight back events against Section 28 of the Local Government Act.</text>
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              <text>Melanie Chait</text>
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        <element elementId="52">
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            <elementText elementTextId="2819">
              <text>Rohesia Hamilton Metcalfe</text>
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            <elementText elementTextId="2820">
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>1991</text>
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                <text>The story of a young woman who gets the idea to make and market a shallow and exploitative tape serves as the core narrative.</text>
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  <item itemId="471" public="1" featured="0">
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      <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
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        <element elementId="52">
          <name>Artist</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2813">
              <text>Monica Pellizzari</text>
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          <name>Country</name>
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            <elementText elementTextId="2814">
              <text>Australia </text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>13mins</text>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Velo Nero</text>
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                <text>1987</text>
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  <item itemId="470" public="1" featured="0">
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        <element elementId="52">
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            <elementText elementTextId="2807">
              <text>Sandra Lahire</text>
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        <element elementId="53">
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            <elementText elementTextId="2808">
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>11mins</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2806">
                <text>Uranium Hex</text>
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                <text>Using a kaledoscopic array of experimental techniques, this film explores uranium mining in Canada and its destructive effects on both the environment and the women working in the mines.</text>
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            <elementText elementTextId="2801">
              <text>Marion Reichert</text>
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            <elementText elementTextId="2802">
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            <name>Title</name>
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                <text>This autobiographical film shows the video maker lost her fear of technology and learned to love her motocyle instead.</text>
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            <elementText elementTextId="2795">
              <text>Lorna Boshman</text>
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            <elementText elementTextId="2796">
              <text>Canada</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>24mins</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2794">
                <text>True Inversions</text>
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            <elementText elementTextId="2789">
              <text>Cairo Cannon </text>
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            <elementText elementTextId="2790">
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              <text>Myra Paci</text>
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              <text>Cheryl Edwards</text>
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                <text>To Be Silent Is The Most Painful Part</text>
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                <text>Using a metaphor of peeling skin, images from the filmmaker's family history are combined with black and white images of famour paintings. A woman is seen being physically manipulated into each of the archetypal representations failing upon her skin.</text>
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              <text>Jill Craigie</text>
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                <text>Made in 1951, this coumentary about women's employment states its case through carefully reasoned arguments articulated by Wendy Hiller's vehement commentary, accompained by powerful visual footage of women at work together, and historical archive material on women's struggle for equality.</text>
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              <text>Marion Reichert</text>
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                <text>TIME MACHINE is a comment on the representation of history within the age of the 90s computer technology.</text>
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              <text>Cynthia Connop</text>
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                <text>1986</text>
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                <text>The documentary of the struggles in Australia for equal pay for women concentrating on the case put forward by the Australian Council for Trade Unions (ACTU) that traditional woman's professions be measured against traditional men's professions to determine their 'comparable worth'</text>
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              <text>Suse Bohse</text>
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                <text>Time is All There Is</text>
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              <text>Women and The Law Collective, Nina Ward</text>
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                <text>1986</text>
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                <text>TIME AND TIME AGAIN focuses on the lives of women in prision through interviews with four ex-prisoners.</text>
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              <text>Leeds Animation Workshop</text>
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                <text>Through the Glass Celling</text>
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                <text>Once upon a time, a princess set out to look for a job which would make fill use of her abilities. To her surprise, she found a series of barriers place in her path - simply  because she was a woman.</text>
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  <item itemId="457" public="1" featured="0">
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              <text>Rachel Finkelstein</text>
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