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    <name>Moving Image</name>
    <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
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      <element elementId="52">
        <name>Artist</name>
        <description/>
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            <text>Midi Onodera</text>
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        <name>Country</name>
        <description/>
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          <elementText elementTextId="2388">
            <text>Canada </text>
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        <name>Duration</name>
        <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <elementText elementTextId="2390">
            <text>27mins</text>
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      <name>Dublin Core</name>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Ten Cents</text>
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          </elementTextContainer>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <text>1985</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Confusion, underlying meaning and unspoken truths are often associated with the dialectic of sexual communication. Mingled with the intensity and unpredictability of a “one night stand,” they generate unique sensations – mixed emotion, risk, and excitement. The film employs formal devices in a manner that is exceedingly simple, yet very effective. It's subject matter, sexuality and communication, gains depth and poignancy through the artist’s decision to shoot the film’s three scenes for projection in a “double screen” configuration.</text>
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