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    <name>Moving Image</name>
    <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
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        <name>Artist</name>
        <description/>
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          <elementText elementTextId="1980">
            <text>Maya Deren</text>
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        <name>Country</name>
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          <elementText elementTextId="1981">
            <text>USA</text>
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        <name>Duration</name>
        <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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          <elementText elementTextId="1983">
            <text>15mins</text>
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      <name>Dublin Core</name>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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            <elementText elementTextId="1979">
              <text>Ritual in Transfigured Time</text>
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          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="1982">
              <text>1946</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>Ritual In Transfigured Time silently follows Rita Christiani’s perspective as she enters an apartment to find Maya Deren immersed in the ritual of unwinding wool from a loom. Deren includes another expression of the external invading the internal with a strange wind that surrounds and entrances her as she becomes transported by the ritual. Ritual in Transfigured Time links the looming ritual with the ritual of the social greeting. The film’s continuity is established by an emphasis on gesture and/or dance throughout.</text>
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