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I'm Not a Feminist, But?
Marjut Rimminen
1986
Witty and provocative I'M NOT A FEMINIST, BUT… shakes the foundations upon which fundamental inequalities have been built by skilfully confronting sexism at its own game.
I'm in Heaven
Jill Daniels
1989
Rachel is a Jewish woman, in her early forties, living alone in a small council flat in a tower block in the city. She never leaves the flat and has retreated into a life of repetitive domestic ritual.
I'm British But
Gurinda Chadha
1989
I'M BRITISH BUT… uses Bhangra music, Bangla music and the testimonies of sons and daughters of Asian Britons to discover a defiant popular culture - a synthesis, part Asian, part British.
I'll Be Here For All Time
Boadicea Films
1985
I'LL BE THERE FOR ALL TIME is an informative and entertaining film which challenges the popular notion that women's place is in the home. Its basic premise is that a knowledge of women's history is essential: without it, women are always beginning…
I Substitute
Harriet McKern
1985
The film was made because of my own experience of anorexia, in relation to developing as an individual/woman in this society… also because I feel that subsituting an obsession with the body and with food for a deeper, less tangible problem is a very…
I feel Hopeful About the Future
Ronna Bloom
1986
The stories told in this video are personal memories but they are also about the nature of memory - how it's kept and how it can be challenged by the conflicting memories of others - and the significance of these stories you tell yourself to your…
I Dish
Jayne Parker
1982
In I DISH a woman searches for and finds, then carefully digs out, a fish from a vast wet beach.
I Be Done I was is
Debra Robinson
1983
The comedy industry has always put women and Black people in the firing line - which makes I BE DONE BEEN WAS IS all the more important.
Hysteria
Martine Thoquenne
How to be a Recluse
Laurel Swenson
1998
This a video about wanting to be alone and being lonely - a meditation on the cult of individuality and independence in our anxious urban world.
Hotel Chelsea-Koln
Tanya Ury
1995
A place where travellers and/or lovers rendezvous or rest; a visit possibly forgotten in its transience or remembered by its intensity.
Homes for the People
Kay Mander
1945
Using archive stills, HOME FOR THE PEOPLE looks back to the slums of 1848 and asks what improvements have been made since then.
Home-Made Melodrama
Jacqui Duckworth
1982
HOME-MADE MELODRAMA follows the struggles of three women whose search for harmony takes them through pressures and contradictions, jealousies and insecurities.
Home You Go
Colette Cullen
1993
A tale of ordinary obession about a dishevelled dyke who discovers the key to an older woman's art deco flat.
Home Truths
Yvonne Baginsky
1983
Under the NHS every woman has the right to have her baby at home. She is entitled to the services of a qualified NHS midwife for antenatal care in her own home and attendance at the birth.
Home Movie
Jan Oxenburg
1975
A warm film, which uses humour to make the experience of growing up gay accessible to everyone.
Home and Dry
Leeds Animation Workshop
1987
Four women fall into conversation in a launderette. As the machines whirl and the powder flows, they talk about their housing experiences, hopes and expectations.
Hidden Worlds
Sara Bowman
1991
The creativity and the rich cultural and artistic lives of women embroiderers inspire HIDDEN WORLDS.
Hidden Wisdom
Patricia Diaz
1988
Filmed in black and white, this evocative short is a poignant relection on the passing of wisdom.
Hidden Faces
Kim Longinotto
1996
Internationally acclaimed, collaborative documentary with/about Egyptian women.
Hey Mack
Tina Keane
1982
HEY MACK takes the insistent image of passing trucks, filmed from a pedestrian viewpoint, and sets them against the feminist perspective of music by Disband, a New york-based group of women.
Hell to Pay
Alexandra Anderson, Anne Cottridger
1988
HELL TO PAY exposes the devastating effects of the foreign debt in Bolivia, through the impassioned testimony of women from the countryside, the mining communities, and the capital, La Paz' (Margarita Laime)
Hang on a Minute
Lis Rhodes, Joanna Davis
1983
Thirteen 1 minute films which grew out of a series of short poems written by Lis Rhodes, reflecting on the traditional patterns of oppression in women's lives (pornography, violence, nuclear weapons) and the many forms that resistance takes.
Hands Off(Blijf Van M'n Lijf)
Monique Renault
1984
The issues surrounding violence against women, in a particular wife-battering and the social structures within which women continue to be victims, are effectively put across using an innovative style of drawn animation.
Hairpiece: A Film for Nappy Headed People
Ayoka Chenzira
1982
HAIRPIECE is an animated satire on Black consciousness from the standpoint of various haircare devices.
Guerrillas in Our Midst
Amy Harrison
1992
GUERRILLAS IN OUR MIDST presents a savvy exploration of the machinations of the commercial art-world during its boom in the 1980's, and brings the Guerrilla Girls to the screen.
Groove on a Stanley Knife
Tinge Krishnan
1997
Groove frantically plunges into the dark history of two women fleeing violent crack dealers in the north of England.
Greenham Granny
Caroline Goldie
1986
in 1929 Nell Logan took part in a youth peace conference in Moscow. More than 50 years later she was among the women fighting against Cruise missiles at Greenham Common.
Great Dykes of Holland
Jennifer Maytorena Taylor
1993
A saccharine tune from the 50's Mickey Mouse Club is transformed into a wild samba celebration of contemporary lesbian expression.
Golden Green
Pitbull Productions
2000
“We want our films to be enjoyed and we want to convey the enjoyment we experience in making them. To misquote Marilyn Tweedie “We require filmic pleasure!” - Bev Zalcock and Sara Chambers a.k.a Pitbull Productions.
Goblin Market
Jo Smith
1993
Based on a Christina Rossetti's romantic poem of the same name, GOBLIN MARKET tells the story of two sisters tempted by goblins to eat enchanted fruit.
Give us a Smile
Leeds Animation Workshop
1983
Using a combination of live action and animation this fast-moving, witty film charts the constant harassment which women face every day, and clearly depicts the continuum, which ranges from street humour to stereotyped media images to actual physical…
Girls Own Story
Jane Campion
1983
A Girl’s Own Story offers a lyrical exploration of three young girls on the brink of womanhood in a ‘60s Australia in a state of cultural flux. Ideas explored here – including the inherent violence of sexuality; dysfunctional relationships and the…
Girls in the Garden
Louise Lockwood
1997
A short animation depicting an ironic take on the Garden of Eden staring 'eve & eve'.
Girl
Carol Morley
1993
Using some of the devices of the genre of melodrama - the staircase, the father - as some kind of destiny.
Gift of a Girl
Jo Smith, Mayyasa Al-Malazi
1997
GIFT OF A GIRL concentrates on the movement to stop female infanticide rather than the tragedies of its victims.
Gently Down the Stream
Su Friedrich
1981
This text of Gently Down The Stream is a succession of fourteen dreams taken from eight years of my journals.' (Su Friedrich)
Gay Youth
Pam Walton
1992
Since 1992, Gay Youth and its 16-page study guide have been among the most widely used, respected and effective educational tools for understanding the experiences of gay and lesbian adolescents. By contrasting the tragic death of 20-year old Bobby…
G
Susan Stein
1979
In Susan Stein's early film, G, her interest is language and work and how the two are connected.
Fundi - The Ellla Baker Story
Joanne Grant
1982
This documentary is about the life and work of Ella Baker, veteran American Civil Rights campaigner, a militant political activist who became best known for her championing of non-violent methods of civil disobedience.
Fully Ordained Meat Pie
Gillian Coote
1988
This detailed and moving documentary examines arguments from various viewpoints on the ordination of women into the priesthood.
Framing Lesbian Fashion
Karen Everett
1992
The filmmaker combines her personal story (bracketing the film with a tongue-in-cheek fashion show by the film maker herself) with the fashion journeys of six other lesbians.
Four Women
Julie Dash
1979
FOUR WOMEN is an experimental dance film. It employs the use of stylised movements and dress to convey the spirit of African-American womanhood from an embryonic stage in the motherland Africa, through to the struggle to survive in America today.
Forever
Emma Black
1989
The point of departure in a relationship is a time when emotions, feelings and memories become hightened.
For Love or Money
Margot Nash, Jeni Thornley, Megan McMurchy, Margot Oliver
1983
FOR LOVE OR MONEY is an exhilarating, superbly crafted feature length film. It tells the story of women's working lives throughout Australia's history.
For Good
Christine Booth
1979
In FOR GOOD Angie, Helen and Geoff, who suffer from cerebral palsy, talk about their experiences of living in that able-bodied world.
Foccii
Jeanette Iljon
1975
FOCII brings together performance, art and film. A woman dances and mimes, her stark white image moving across a red floor, reflected in a fractured wall of mirrors.
Floating Mass
Sophie Outram
1999
Moving weightless in the water.
Flesh and Paper
Pratibha Parmar
1990
A portrait of Indian writer and poet, Suniti Namjoshi.
Flaming Ears
Hans Scheirl, Dietmar Schipek, Ursula Pumer
1992
This feature-length lesbian film, a dystopian vision of the 28th Century brings together a freewheeling pyromaniac, a haunted necromaniac, a vengeful cartoonist, a rough lesbian in wacky German avant-garde future wear for adventure, murder, and lust.