Browse Items (497 total)

S Fonseca, S Gillie, V Grut, J Holland
1984
NUCLEAR DEFENCE LIVING IN A FOOL'S PARASIDE explores the reaction of participants and onlookers on the day, making connections between our attitudes to protest and the influence of the education systems, the media and the state.

Leah Gilliam
1991
NOW PRETEND is an experimental investigation into the use of race as an arbitrary signifier.

Alexandra von Grote
1985
A timeless and compelling love story set against the backdrop of Nazi-occupied France. On the brink of war and in the face of escalating anti-Jewish activity, November has fled her native Germany for the relative safety of Paris. She meets and falls…

Annette Kennerley
1997
Sydney writer and performer Norrie May Welby argues the case for a genderless society.

Leeds Animation Workshop
1996
Like its predecessor, Through the Glass Celling, this short animated film is a fairy story with a difference: it takes as its theme the very issue of harassment at work.

Lorette Deschamps
1986
NO LONGER SILENT takes a revealing look at aspects of this discrimination and at the determination of some Indian women to bring about change.

Inka Petersen & Anja Schulz
1991
No Glove No Love is a very hot public service announcement from Germany.

Robina Rose
1981
It is night and, in the foyer of a small hotel, a receptionist performs her tasks, unhurried and impassive, her face ghost-white, an emotional mask.

Sandra Lahire
1995
This is the age of the Personal Computer the Private Catacomb for the switched-on elite. Its dark doorways are for the wandering homeless…true survivors…

Gabriella Romano
1997
NIETTA'S DIARY is a film about the lesbian relationship of Nietta Apra and Linda (Flafi) Mazzuccato in pre and post war italy.

Kathy Daymond
1989
Ultimately, the film is a celebration which aims to create a space for another voice to speak about a part of female experience long-shrouded in silence and ignominy.

Tracey Moffatt
1987
NICE COLOURED GIRLS is a stylised experimental drama exploring attitudes of Aboriginal women to white women and vice versa.

Kathleen Shannon, Ginny Stikerman
1983
NICARGAGUA , DREAM OF A FREE COUNTRY is a positive and refreshing look at women's participation in Nicaragua's national struggle for self-determination.

Gitanjali
1993
An East Indian Canadian travels to India to meet her father's family. She finds that India is in no simple way her 'home', yet she also can't hide behind the tourist's camera. Western representations of India are challenged as we see India through a…

Mandrika Rupa
1996
The traditional expectations of an Indian family in the South Pacific (NZ) are confronted in this short drama written and directed by Mandrika Rupa.

Judith Noble
1982
MYSTERIES is a photomontage film, Beginning with a quotation from a dream , it becomes the filmmakers interpretation of the harvest and the old mystic theme of Mysteries.

Laurie Colbert, Dominique Cardona
1997
Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women's movement.

Gillian Lacey
1987
Relating a real case, this animated film is devised as a play and is set in the crown court.

Carole Kostanich
1982
Made by a single mother, MUM'S THE WORD looks at three single mothers, living on social security benefit or pensions, and explores how they maintain thei families and survive - often below the 'poverty line'.

Second Sight
1993
MOVE OVER DARLING is an informative magazine style careers guide focusing on women in the media.

Leeds Aids Advice
1991
The aim of this video is to raise issues about safer sex for women in a way which wil enable women watching the video to discuss their own fears, experiences and sucesses about safer sex more easily.

Sabina Wynn
1984
The relationship between Kay and her adopted daughter, Chris, is thrown wide open when Chris decides to meet her natural mother.

Tracey Moffart
1990
This beautiful documentary uses the art of video to examine the working lives of some Western Australian Aboriginal women.

Rachel Ara
1998
MONOMYTH is an experimental film that uses time, space, ritual and repetition to depict loss.

Yvonne Welbon
1991
Using a childhood experience of racial bigotry at school, this film looks at the ways in which racism is ingrained in American society, even in the play of children. MONIQUE is a compelling exploration of identity and memory.

Amanda Holiday
1991
Mixing reality with fairy tale MISS QUEENCAKE follows the plight of Bira, a 16-year-old mixed race girl from the North of England.

Sarah Pucill
1996
In an expression of levels of balance and control, ritual and sound osciliate between a point of contact and an accompanying break.

Sarah Pucill
1993
MILK AND GLASS is primarily concerned with exploring where woman is in relation to sexual desire.

Maya Deren
1943
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Abigail Child
1989
Images and sounds of American mass media are dissected and carefully composed into a rapid-fire montage which reveals the processes at work.

Pratibha Parmar
1994
Using magic realism, MEMSAHIB RITA looks at the physical and emotional violence of racism. Shanti is haunted by both the racist taunts of nationalist white youths and the memory of her whiite mother.

Jamika Ajalon
1997
A tribute to African-American women activisits, whose violent actions were often characterised as being the result of mental illness.

Pratibha Parmar
1989
A video exploring photographic representation of experiences of migration and identity.

Abigail Child
1987
A homage to film noir, soap thrillers and Mexian comic book generate the action.

Annette Kennerley
1998
Five years after the making of the video portrait Boys in the Backyard, the filmmaker returns to San Francisco to see what has become of MATT.

Sarah Rose Bell
1992
MASQUERADE is an amusing animated film dealing with the effects of magazine images on women.

Annie Wright
1998
MARY, MARY is the true story of 11-year old Mary Bell who killed two small boys in England in 1986

Bev Zalcock
1999
A hallucinogenic experience on a sunny afternoon to a soundtrack of Jefferson Airplane's 'White Rabbit'.

Jeanetta Iljon
1976
Exploring both dance and some of the properties of film, MANTRA begins by recreating movement through a rhythmic series of still images.

Rachel Finkelstein
1981
The screen in MAN MADE IMAGES is a mirror to my consciousness, providing a way to reflect my transfer from a male defined woman to a woman searching for her definition.' (Rachel Finkelstein)

Joyce Seroke, Betty Wolpert
1986
MAMA I’M CRYING is a lively documentary about the personal story of a Black woman, Joyce Seroke, and a white Jewish woman, Betty Wolpert

Red Flannel Films
1988
She has been portrayed as a powerful matriarch within the confines of the miner's home and family.

anne marie mcdermott
1995
Intercut with Punch & Judy images, this documentary reveals the common ground shared by women of different classes and cultures as they explore the reasons why they stayed in violent relationships for so long and their lives now, after “making the…

Jeni Thornley
1978
It is the story of seventy years of change and upheaval, the gradual disintegration of the traditional family and the search for new forms and ways of relating as typified by Jeni's attempt to break the pattern of the past and to create a new…

Lisa Hsia
1985
MADE IN CHINA is a personal film about a Chinese American's search for identity.

Lumdmilla Andrews
1992
This visually rich and haunting film follows the journey of a young woman, Cait, through her pain from a broken relationship to her eventual resolution.

Bev Zalcock, Sara Chambers
1996
A featurette which uses the female buddy movie to explore the relationship between a woman and her dog.

Lucinda Broadbent
2000
In 1998, Managua, Nicaragua became host to one of the most publicised and controversial cases of sexual abuse to hit modern day Latin America.

Verena Rudolph
1984
LUCY, my mother's sister, immigrated from a little Bavarian village to the United States in 1934. From the date she did not give any more news of herself

Marta Rodriguez, Jorge Silva
1988
This beautiful and powerful documentary tells the stories of the women who compries the labour force of Colombian flower industry in the plain of Bogota.
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