Browse Items (497 total)

Jeanette Iljon
1975
FOCII brings together performance, art and film. A woman dances and mimes, her stark white image moving across a red floor, reflected in a fractured wall of mirrors.

Christine Booth
1979
In FOR GOOD Angie, Helen and Geoff, who suffer from cerebral palsy, talk about their experiences of living in that able-bodied world.

Margot Nash, Jeni Thornley, Megan McMurchy, Margot Oliver
1983
FOR LOVE OR MONEY is an exhilarating, superbly crafted feature length film. It tells the story of women's working lives throughout Australia's history.

Emma Black
1989
The point of departure in a relationship is a time when emotions, feelings and memories become hightened.

Julie Dash
1979
FOUR WOMEN is an experimental dance film. It employs the use of stylised movements and dress to convey the spirit of African-American womanhood from an embryonic stage in the motherland Africa, through to the struggle to survive in America today.

Karen Everett
1992
The filmmaker combines her personal story (bracketing the film with a tongue-in-cheek fashion show by the film maker herself) with the fashion journeys of six other lesbians.

Gillian Coote
1988
This detailed and moving documentary examines arguments from various viewpoints on the ordination of women into the priesthood.

Joanne Grant
1982
This documentary is about the life and work of Ella Baker, veteran American Civil Rights campaigner, a militant political activist who became best known for her championing of non-violent methods of civil disobedience.

Susan Stein
1979
In Susan Stein's early film, G, her interest is language and work and how the two are connected.

Pam Walton
1992
Since 1992, Gay Youth and its 16-page study guide have been among the most widely used, respected and effective educational tools for understanding the experiences of gay and lesbian adolescents. By contrasting the tragic death of 20-year old Bobby…

Su Friedrich
1981
This text of Gently Down The Stream is a succession of fourteen dreams taken from eight years of my journals.' (Su Friedrich)

Jo Smith, Mayyasa Al-Malazi
1997
GIFT OF A GIRL concentrates on the movement to stop female infanticide rather than the tragedies of its victims.

Carol Morley
1993
Using some of the devices of the genre of melodrama - the staircase, the father - as some kind of destiny.

Louise Lockwood
1997
A short animation depicting an ironic take on the Garden of Eden staring 'eve & eve'.

Jane Campion
1983
A Girl’s Own Story offers a lyrical exploration of three young girls on the brink of womanhood in a ‘60s Australia in a state of cultural flux. Ideas explored here – including the inherent violence of sexuality; dysfunctional relationships and the…

Leeds Animation Workshop
1983
Using a combination of live action and animation this fast-moving, witty film charts the constant harassment which women face every day, and clearly depicts the continuum, which ranges from street humour to stereotyped media images to actual physical…

Jo Smith
1993
Based on a Christina Rossetti's romantic poem of the same name, GOBLIN MARKET tells the story of two sisters tempted by goblins to eat enchanted fruit.

Pitbull Productions
2000
“We want our films to be enjoyed and we want to convey the enjoyment we experience in making them. To misquote Marilyn Tweedie “We require filmic pleasure!” - Bev Zalcock and Sara Chambers a.k.a Pitbull Productions.

Jennifer Maytorena Taylor
1993
A saccharine tune from the 50's Mickey Mouse Club is transformed into a wild samba celebration of contemporary lesbian expression.

Caroline Goldie
1986
in 1929 Nell Logan took part in a youth peace conference in Moscow. More than 50 years later she was among the women fighting against Cruise missiles at Greenham Common.

Tinge Krishnan
1997
Groove frantically plunges into the dark history of two women fleeing violent crack dealers in the north of England.

Amy Harrison
1992
GUERRILLAS IN OUR MIDST presents a savvy exploration of the machinations of the commercial art-world during its boom in the 1980's, and brings the Guerrilla Girls to the screen.

Ayoka Chenzira
1982
HAIRPIECE is an animated satire on Black consciousness from the standpoint of various haircare devices.

Monique Renault
1984
The issues surrounding violence against women, in a particular wife-battering and the social structures within which women continue to be victims, are effectively put across using an innovative style of drawn animation.

Lis Rhodes, Joanna Davis
1983
Thirteen 1 minute films which grew out of a series of short poems written by Lis Rhodes, reflecting on the traditional patterns of oppression in women's lives (pornography, violence, nuclear weapons) and the many forms that resistance takes.

Alexandra Anderson, Anne Cottridger
1988
HELL TO PAY exposes the devastating effects of the foreign debt in Bolivia, through the impassioned testimony of women from the countryside, the mining communities, and the capital, La Paz' (Margarita Laime)

Tina Keane
1982
HEY MACK takes the insistent image of passing trucks, filmed from a pedestrian viewpoint, and sets them against the feminist perspective of music by Disband, a New york-based group of women.

Kim Longinotto
1996
Internationally acclaimed, collaborative documentary with/about Egyptian women.

Patricia Diaz
1988
Filmed in black and white, this evocative short is a poignant relection on the passing of wisdom.

Sara Bowman
1991
The creativity and the rich cultural and artistic lives of women embroiderers inspire HIDDEN WORLDS.

Leeds Animation Workshop
1987
Four women fall into conversation in a launderette. As the machines whirl and the powder flows, they talk about their housing experiences, hopes and expectations.

Jan Oxenburg
1975
A warm film, which uses humour to make the experience of growing up gay accessible to everyone.

Yvonne Baginsky
1983
Under the NHS every woman has the right to have her baby at home. She is entitled to the services of a qualified NHS midwife for antenatal care in her own home and attendance at the birth.

Colette Cullen
1993
A tale of ordinary obession about a dishevelled dyke who discovers the key to an older woman's art deco flat.

Jacqui Duckworth
1982
HOME-MADE MELODRAMA follows the struggles of three women whose search for harmony takes them through pressures and contradictions, jealousies and insecurities.

Kay Mander
1945
Using archive stills, HOME FOR THE PEOPLE looks back to the slums of 1848 and asks what improvements have been made since then.

Tanya Ury
1995
A place where travellers and/or lovers rendezvous or rest; a visit possibly forgotten in its transience or remembered by its intensity.

Laurel Swenson
1998
This a video about wanting to be alone and being lonely - a meditation on the cult of individuality and independence in our anxious urban world.

Martine Thoquenne

Debra Robinson
1983
The comedy industry has always put women and Black people in the firing line - which makes I BE DONE BEEN WAS IS all the more important.

Jayne Parker
1982
In I DISH a woman searches for and finds, then carefully digs out, a fish from a vast wet beach.

Ronna Bloom
1986
The stories told in this video are personal memories but they are also about the nature of memory - how it's kept and how it can be challenged by the conflicting memories of others - and the significance of these stories you tell yourself to your…

Harriet McKern
1985
The film was made because of my own experience of anorexia, in relation to developing as an individual/woman in this society… also because I feel that subsituting an obsession with the body and with food for a deeper, less tangible problem is a very…

Boadicea Films
1985
I'LL BE THERE FOR ALL TIME is an informative and entertaining film which challenges the popular notion that women's place is in the home. Its basic premise is that a knowledge of women's history is essential: without it, women are always beginning…

Gurinda Chadha
1989
I'M BRITISH BUT… uses Bhangra music, Bangla music and the testimonies of sons and daughters of Asian Britons to discover a defiant popular culture - a synthesis, part Asian, part British.

Jill Daniels
1989
Rachel is a Jewish woman, in her early forties, living alone in a small council flat in a tower block in the city. She never leaves the flat and has retreated into a life of repetitive domestic ritual.

Marjut Rimminen
1986
Witty and provocative I'M NOT A FEMINIST, BUT… shakes the foundations upon which fundamental inequalities have been built by skilfully confronting sexism at its own game.

Mandrika Rupa
1994
In the 1970's the actor Sir Alex Guinness wrote a letter of complaint to the The Times newspaper about the lack of attention shop assisants gave to customers.

Catherine Saalfield, Debra Levine
1993
This powerful documentary focuses on HIV-positive women and women with AIDS in New York State, making the transition form prison to independent living.

Julie Dash
1982
Made in film noir style, ILLUSIONS plays inventively on themes of cultural, racial and sexual domination…
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