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              <text>Ruth Novaczek</text>
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                <text>Set to two themes from Thelonius Monk, 50/50 is about a relationship, a reflection on love gone wrong and duel responsibility; an argument, a seperation, and the nature of love are explored in images and text.</text>
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              <text>Caroline Sheldon (now known as Caz)</text>
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                <text>WHAT DO LESBIANS DO IN BED? With a star-studded soundtrack, we're shown women doing everything in bed from knitting and drinking tea to having raucous pillow-fights</text>
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                <text>Short songs chart erotic tales in an urban topology. Includes FISHTANK, SHIVER, KISS OF FIRE, 8 MILLION WAYS TO DIE, AND FAINT CLUE.</text>
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                <text>8mm Lesbian Love Film</text>
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                <text>A celebration of lesbian desire and identity in the form of a pop promo. With a tune so catchy you'll be singing it all day!</text>
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              <text>Lis Rhodes</text>
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                <text>A rich and evocative experimental film using a collage of superimposed images, live action, urban landscapes, unsettling sounds and the spoken poetic words of an unseen woman.</text>
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                <text>A satire on the stereotyped images of lesbians, each scene is also a take-off of a different genre of Hollywood film - the source of so many of our stereotypes.</text>
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                <text>This tape is a confrontation/diaologue between the filmmarker and her mother, both naked. The gap between intention and expression is explored as the camera isolates parts of the body, and the women speak of how the image relates to themselves and their body image.</text>
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              <text>Catherine Saalfield, Jaqueline Woodson</text>
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                <text>Based on a poignant autobiographical essay by Woodson, this video adaption illustrates the pull between desire for (religious) community and personal freedom.</text>
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                <text>AN EPIC POEM explores the contradictions in man's conception of love through the myths and representations, which support it, and argues that man has contructed love in his own image, reflecting his profound anxieties about prohibited desires.</text>
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              <text>Jacqui Duckworth</text>
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                <text>An Invitiation to Marilyn C</text>
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                <text>This short drama is a humorous exploration of a woman regaining power as she challenges male supremacy in culture, the porn industry and film.</text>
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              <text>Cine Mujer</text>
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                <text>And What Does Your Mother Do?</text>
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                <text>AND WHAT DOES YOUR MOTHER DO? Is a humorous film which cleverly uses the technique of speeded-up action, to expose basic inequalities built into the traditional family structure, which lay the bulk of responsibility and pressure on women.</text>
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            <elementText elementTextId="212">
              <text>Vera Neubauer</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="215">
              <text>25mins</text>
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        </element>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Animation for Live Action</text>
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                <text>ANIMATION FOR LIVE ACTION is an energetic, witty and engaging film that cuts together animation and live action footage, both dramatised and documentary.</text>
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          <name>Artist</name>
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              <text>Edna Politi</text>
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            <elementText elementTextId="219">
              <text>France/Germany</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="221">
              <text>85mins</text>
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          </elementTextContainer>
        </element>
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                <text>Emina, Yetka, Yehudit, Mita and Rachel: Women born at the turn of the century in Russia or Poland, went to Palestine in the twenties 'to build the country by building themselves'. Sixty years later they evoke the adventures, hopes and the struggles of that period when they beliebe that the world would change. </text>
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            <elementText elementTextId="224">
              <text>Megan McMurchy</text>
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              <text>Australia</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>10mins</text>
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            <name>Title</name>
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            <description>An account of the resource</description>
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                <text>Two women living the same apartment block are drawn to each other. Each is unaware of the other's desire, but a shared erotic fantasy develops between them.</text>
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          <name>Artist</name>
          <description/>
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            <elementText elementTextId="230">
              <text>Leah Gilliam</text>
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          <description/>
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            <elementText elementTextId="231">
              <text>USA</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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            <elementText elementTextId="233">
              <text>07mins</text>
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        <name>Dublin Core</name>
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                <text>Apeshit</text>
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                <text>Employing footage from an obscure 8mm film trailer for Battle for the Planet of the Apes to highlight the unstable relationship between the real, historical past and the distant, imaginary future, this project revolves around a central question: Is alien-ness indeed the metaphor for the 20th Century as power relationships have been embodied within our subconscious? Is there a relationship between these forgotten formats and the discontinued political ideologies that they depict?

Transferred from Super-8 and then processed using a combination of high-end digital and vintage analog processing techniques, Apeshit emphasizes the contradictory references found in both the original text and its adaptation. Serving up Battle for the Planet of the Apes as proof, Apeshit puts forth tolerance as an outmoded technology.</text>
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          <name>Artist</name>
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            <elementText elementTextId="236">
              <text>Marion Reichert</text>
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          <description/>
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            <elementText elementTextId="237">
              <text>UK</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="239">
              <text>07mins</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Armchair Terrorist</text>
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            <name>Date</name>
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                <text>A woman sits in an armchair and watches television. Behind the sceen lies the sociopathy of her daily life.</text>
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  <item itemId="41" public="1" featured="0">
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      <name>Moving Image</name>
      <description>A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation.</description>
      <elementContainer>
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            <elementText elementTextId="242">
              <text>Sandra Lahire</text>
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        <element elementId="53">
          <name>Country</name>
          <description/>
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            <elementText elementTextId="243">
              <text>UK</text>
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          <name>Duration</name>
          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
          <elementTextContainer>
            <elementText elementTextId="245">
              <text>15mins</text>
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